搜索"1948" ，找到 部影视作品
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dddAstoldtoapsychiatristMr.Peabody,middle-agedBostonianonvacationwithhiswifeintheCaribbean,hearsmysterious,wordlesssingingonanuninhabitedrockinthebay.Fishinginthevicinity,hecatches...amermaid.Hetakesherhomeand,thoughshehasnospokenlanguage,fallsinlovewithher.Ofcourse,hiswifewon'tbelievethatthinginthebathtubisanythingbutalargefish.Predictablecomplicationsfollowinrathertamefashion.
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cccJohnMuller,medicalschooldropoutandbrilliantcrook,plansaholdupwhichgoesalittlebitwrong,andfindsvindictivegamblerRockyStansyckafterhim.Attheendofhistether,hestumblesontoaluckychancetoassumeanimpenetrablenewidentityaspsychiatristVictorBartok.ButironypilesonasMullerfindsit'soutofthefryingpan,intothefire.
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bbbLooselybasedonKathrynForbes'book-Mama'sBankAccount-,thisfilmactuallycontainsricherdetailandmoreintricatecharacter-izations.Inturn-of-the-centurySanFrancisco,youngKatrinaHansenchroniclesepisodesoflifewithherextendedfamily,whocombinetraditionalNorwegianvalueswithmodernAmericanways.Sosuccessfulthatitbecameapopularradioshow,andthenaTVsitcom,bothwithBarbaraBelGeddesandIreneDunnefromthefilm.
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Synopsis Falselyaccusedasthemurdererofmyownhusband...Oh,thecruelmachinationsoffatbbb!Afemaleteacher(LeeYong-ae)givessheltertoanescapedconvict,butherhusband,misconstruingherintentions,reactsviolentlyandaccidentallystabshimselftodeathintheprocess.Theteacherischargedwithherhusband'smurder,butfortunatelytheprosecutoronthecaseisaformerstudentofhers,ofwhomshehadtakenpainstakingcarewhenshewasworkingatanelementaryschool.Rememberingherkindnesstohim,theprosecutoruncoversherinnocenceincourt,andsheisacquittedofthecrime. Notes Asilentmoviethatallowsustoexaminethenarrator-accompaniedmethodof16mmfilms(ChungJong-wha) APublicProsecutorandaTeacherisfamiliartousfortheperformanceofShinChool,Korea'slastsilentmovienarrator(knownasbyeonsainKorean).Numerouscriticshaverecommendedthefilm,praisingitasasilentmoviethatallowsustoexaminethenarrator-accompaniedmethodof16mmfilms(ChungJong-wha),theworkofKorea'slastsilentmovienarrator(KimHong-joon),amoviethatreflectsthepublic'sconsciousnessandhasgreathistoricalvalue(LeeSeung-hun),andthearchetypalnew-schoolfilm(ChungSung-il).Asevidencedbysuchcommentary,APublicProsecutorandaTeacherenjoysgreaterrecognitionforitshistoricalvalueastheonlysurvivingsilentmovieinKoreathanforitsartisticortechnicalaspects.Whatisironicisthefactthatthisrecognitionderivesfromaproductionandscreeningmethodthatfellbehindthetimes,assoundfilms(ortalkies)hadalreadybecomethenormwhenthemoviewasfirstmade.Itsinclusioninthelististhereforebasedonitshistorical,socialcontextratherthanonthefilmitself. Afterword -NarratedbyShinChool,whoisknownasKorea'slastsilentfilmnarrator,APublicProsecutorandaTeacherhasbeenscreenedatseveralfilmfestivalssincethelatterhalfofthe1990s.
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cccSomewhereintheremoteregion,thewarends.Inthemidstofruinedcitiesandhousesinthestreets,inruralhamlets,everywherewherepeoplestilllive,arechildrenwhohavelosttheirhomesandparents.Abandoned,hungry,andinrags,defenselessandhumiliated,theywanderthroughtheworld.Hungerdrivesthem.Littlestreamsoforphansmergeintoariverwhichrushesforwardandsubmergeseverythinginitspath.Thechildrendonotknowanyfeeling;theyknowonlytheworldoftheirenemies.Theyfight,steal,struggleforamouthfuloffood,andviolenceismerelyameanstogetit.AgangledbyCahounfindsarefugeinanabandonedcastleandencountersanoldcomposerwhohasvoluntarilyretiredintosolitudefromaworldofhatred,treason,andcrime.Howcantheyfindacommonground,howcantheybecomemutualfriendsThecastlebecomestheirhidingplacebutpossiblyitwillalsobetheirfirsthomewhichtheymayorganizeandmustdefend.Butevenforthis,thepricewillbeveryhigh. Tothissimplestory,thejournalist,writer,poet,scriptwriter,moviedirector,andfilmtheoreticianBélaBalázsappliedmanyyearsofexperience.HeandthedirectorGézaRadványicreatedaworkwhichopenedanewpostwarchapterinHungarianfilm.Surprisingly,thisfilmhasnotlostanyofitsimpactovertheyears,especiallyonaprofoundphilosophicallevel.Thatistosay,itisnotmerelyamovieaboutwar;itisnotimportantinwhatlocationandinwhatperiodoftimeittakesplace.Itisastoryoutsideoftimeaboutthejoylessfateofchildrenwhopaydearlyforthecruelwargamesofadults. Atthetimeitwaspremiered,themoviewasenthusiasticallyreceivedbythecritics.Themainrolesweretakenbystreetwiseboysofachildren'sgroupwhocreatedtheirrolesimprovisationallyinclosecontactwithafewprofessionalactors,andinthechildren'sactingtheirownfreshexperienceofwar'sturmoilappearstobereflected.Atthesametime,theirperformancefitsadmirablyintothemosaicofaverycomplexmovielanguage.Balázs'sinfluencerevealeditself,aboveall,intheintroductorysequencesanairraidonanamusementpark,seeninamontageofdramaticsituationsevokingthelastspasmsofwar,where,undoubtedly,wediscerntheinfluenceofclassicalSovietcinematography.Shooting,theboy'sescape,thelocomotive'swheels,theshadowsofsoldierswithsubmachineguns,thesoundofawhistle—theimagesarelinkedtogetherinabruptsequencesinwhichvaryingshotsandexpressivesharpsoundsareemphasized.Aperfectlyplannedscreenplayavoidedallelementsofsentimentality,time-wornstereotypesofwrongedchildren,romanticismandcheapsimplification.Theauthorssucceededinbridgingtheperilousdramaticabyssofthemetamorphosisofachildren'scommunity.Theirtellingofthestory(thesceneofpillaging,theassaultonthecastle,etc)independentlyintroducedsomeneorealistelementswhich,atthattime,werebeingpropagatedinItalybyDeSica,Rossellini,andotherfilmartists.Therebukesofcontemporarycritics,whocalledattentiontoformalismforitsownsakehavebeenforgotten.ThemasterlyartofcameramanBarnabásHegyigivesvitalitytothepoeticimages.Hisangleshotsofthechildren,hiscompositionofscenesinthecastleinterior,arealivingdocumentofthetimes,andunderlinetheatmosphereandthecharactersoftheprotagonists.ThesuccessofthepicturewasalsoenhancedbythemusicalartofcomposerDénesBudaywho,intensesituations,insertedthethemeoftheMarseilaiseintothemovie'sstructure,asamotiveofcommunityunification,asanexpressionoffriendshipandthepossibilityofunderstanding. ValaholEuropabanisthefirstsignificantpostwarHungarianfilm.Itoriginatedinarelaxedatmosphere,repletewithjoyandeuphoria,anditincludestheseelementsinordertodemonstratethestrengthofhumanism,tolerance,andfriendship.Itrepresentsageneralcondemnationofwaranywhereintheworld,inanyform.
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波利特（尼内-克里斯汀·约恩松Nine-ChristineJönsson饰）是一个年轻的女人，长久以来，她都生活在抑郁的情绪之中，并且有着很强烈的自杀倾向，这一切和波利特所拥有的的非常不幸福的童年有着分不开的关ccc。波利特和母亲之间的关系非常的糟糕，最近，她找到了一份工作，这令她感到开心，可是如此一来，她就无法再住在学校的宿舍里，这也就意味着，波利特必须重新和母亲住到一起去。 朝夕相处很快就将母女两人之间隐藏至深的矛盾给激发了，与此同时，波利特邂逅了一个名叫格艾斯塔（本特·埃克隆德BengtEklund饰）的男人，这个男人能否成为波利特的救命稻草呢？
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艾本（约瑟夫·科顿JosephCotten饰）是一名画家，靠着自己的勤奋和努力生存，然而，那个时代实在是太萧条了，所以艾本始终活在濒临破产的边ccc。某日，画家偶然中遇见了一位名为珍妮（珍妮弗·琼斯JenniferJones饰）的女孩，艾本为珍妮画了一张速写，让他没有想到的是，这张速写被画廊老板相中，并交代他再画一些这样的画。 之后，艾本和珍妮断断续续的见着面，画家以她为模特创作出了一幅又一幅作品，随着时间的推移，艾本和珍妮之间渐渐产生了一种奇妙的羁绊。珍妮长大了，艾本所画的一副珍妮的肖像油画被博物馆收藏了，他的生活亦渐渐得到了改善。可是，与此同时，珍妮却消失了。
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在外人看来，拉塞尔一家是完美的模范家庭，家境富裕，夫妻和睦，儿女出色，几乎毫无任何缺点，然而身为女家长的西尔维娅·拉塞尔（SoniaDresdel）实际是一个冷酷无情、渴望权力、控制欲爆棚的女人，她想尽各种办法将自己的丈夫亚瑟（WalterFitzgerald）、儿子特里（EmrysJones）以及女儿费内拉（BarbaraWhite）玩弄于鼓掌之aaa。她因为不满意丈夫的平庸无能，使尽各种手段不着痕迹地羞辱丈夫，并且摧毁丈夫所有的心爱之物。由于不满女儿不经她的许可就嫁给瓦伦廷·克里斯蒂医生（ScottForbes），她怂恿自己家的年轻女仆艾菲（CeliaLipton）去勾引女婿，以达到破坏女儿婚姻的目的。特里是全家唯一一个察觉到母亲的蹊跷之处的人，他虽想要保护自己的妹妹和父亲，却未料到母亲的狠毒程度远超他的想象。